“I feel a vague nausea stroking and tapping the lining of my stomach,” writes David Wojnarowicz in his essay “In the Shadow of the American Dream: Soon All This Will Be Picturesque Ruins.” I don’t think I ever quite understood the feeling of David’s nausea until this past week. It took everything in me not … Continue reading
“My silences had not protected me. Your silence will not protect you,” warns Audre Lorde in her paper The Transformation of Silence Into Language And Action. In this essay, Lorde argues for speaking–the voice–as an essential, if not the most essential, activist tool. She concludes, “The fact that we are here and that I speak these words is an attempt to break the silence and bridge some of those differences between us, for it is not difference which immobilizes us, but silence. And there are so many silences to be broken” (44). Continue reading
At a panel last July entitled IV Embrace: On Caregiving and Creativity, organized by Visual AIDS in conjunction with the show In The Power Of Your Care at The 8th Floor, Ted Kerr observed that we are in “the revisitation phase” of the HIV/AIDS pandemic. And Kerr is right. While smaller exhibitions have been mounted … Continue reading
Why, hello honeys! Mama’s gonna take you on a tour of the current NYC exhibit Party Out Of Bounds: Nightlife As Activism Since 1980 (throughout Oct. 10) at La MaMa Galleria presented by Visual AIDS. Now, I know many of you can’t attend the exhibit so Mama brought her trusty little iPhone and took a pot-load … Continue reading
Why hello there, dearest Filthy Dreams readers and fellow filth fanatics! It’s about the right time to announce what your co-founder Emily Colucci and intrepid contributor Osman Yerebakan have been working hard on since December 2013. As you know, Filthy Dreams was originally conceptualized as a sleazy bar before we lowered our expectations and started … Continue reading
Last week in honor of the 25th anniversary of Day With(Out) Art, a national day of mourning and action in response to AIDS on December 1, Visual AIDS premiered Alternate Endings, seven commissioned short videos by artists and art collectives addressing the current state of the ongoing HIV/AIDS crisis. Continue reading
Devastating, enraging, moving, motivating and yes, militant, Let The Record Show succeeds in powerfully and captivatingly revealing the innumerable and almost incomprehensible losses to the arts community, particularly in the 1980s and 1990s, as well as that community’s strong and outspoken response to the crisis. Continue reading
Scrawled in black pen in one of his many journals in the New York Public Library’s exhibition Why We Fight: Remembering AIDS Activism, artist and AIDS activist David Wojnarowicz wrote, “If I die of AIDS, don’t give me a memorial, give me a demonstration.” Continue reading
Last week, the New Museum, in collaboration with Visual AIDS, hosted an engrossing and important panel ACT NOW: Perspectives on Contemporary Performance and HIV/AIDS, tackling questions about the role of performance and the artist’s body in preserving, discussing and embodying the history, legacy and the current AIDS crisis. Continue reading
Visual AIDS and the Pop-Up Museum of Queer History hosted a public forum, (re)Presenting AIDS: Culture & Accountability, to discuss the responsibilities of museums, galleries and other institutions when mounting exhibitions about HIV/AIDS. Organized in part due to Pop Up Museum of Queer History’s Hugh Ryan’s insightful New York Times editorial “How To Whitewash A Plague,” the forum was designed to, as moderator Ann Northrop described, create a space for “productive thinking for future work,” as well as understand the way the community interacts with cultural institutions. Continue reading