I love museum gift shops. I know, I know–this isn’t too much of a surprise after I’ve continually admitted my undying love of the worst of late capitalism, including yes, corporate Pride. But unlike that rainbow colored free-for-all, which comes around only one month a year to tickle my frantic shopping spree fancy, museum gift … Continue reading
If Charles Ludlam thought Susan Sontag did a number on camp, I can’t imagine what he would have thought witnessing the camp tragedy that occurred on the pink carpet (pink being, apparently, the color of camp) at the Metropolitan Museum of Art on Monday. Whew! Mary! It was a camp catastrophe, a camp calamity, a … Continue reading
Little Ladies: Victorian Fashion Dolls and the Feminine Ideal, on view at the Philadelphia Museum of Art until March, is a curious show that seems to be trying to navigate between two opposing poles. On the one hand, Little Ladies is clearly meant to delight, drawing on the museum’s permanent collection to showcase the incredible … Continue reading
On Tuesday, I received a promotional email in my inbox (one of many I tend to ignore) announcing the theme of the Metropolitan Museum of Art’s Costume Institute 2019 exhibition. To my shock (and horror), it was a theme familiar and close to my black little heart: camp! As a long-time denizen of camp, I … Continue reading
“I glow pink in the night in my room,” opens Mitski’s dreamily atmospheric song “Pink in the Night” off her new album Be The Cowboy. Crooning her obsessive yearning, Mitski uses the color pink as a symbol for a type of solitary blossoming. Of course, this is not the only understanding of the wildly overdetermined … Continue reading
You can’t argue with the immediate shock of a video depicting a burning rainbow flag. Or, for that matter, a sign that reads “Never Trust A Gay Man” and “Every Gay Man Is A Disappointment,” which echoes a self-loathing but (at least I read) tongue-in-cheek sentiment aired by Milo Yiannopoulos on Real Time With Bill Maher … Continue reading
Examining the interconnected lives of these two creative forces, the Andy Warhol Museum’s current exhibition Halston and Warhol: Silver and Suede makes the unquestionably important argument that Warhol and Halston’s close friendship, similar artistic sensibilities, and collaborations drove their respective art. Continue reading
