“Why is that a story? No offense…” my cousin James, a nurse in Pittsburgh, asked after I told him that while on the phone I received an interview request from The New York Times, a publication that previously would not touch me or Filthy Dreams with, to quote a Doug Stanhope bit, a barge pole. … Continue reading
Someone was taking a dump in The John Waters Restrooms at the Baltimore Museum of Art. Was it an art-inspired intestinal emergency or a dedicated tribute to the filmmaker whose major public stink involved Divine sampling some doggy-doo in the filthy finale of Pink Flamingos? Or perhaps, this intrepid museum-goer previously devoured John’s chapter “Act … Continue reading
“I’m not a big fan of the ‘Goth’ label. I much prefer ‘Sad Bastard Music.’” So reads a meme featuring my beloved Nick Cave, holding a cigarette with his hand to his head, possibly wondering why the hell his image has been used for a meme. Of course, Nick never said this. He’s as likely … Continue reading
Can you write an essay about porn theaters that doesn’t cite Samuel R. Delany’s Times Square Red, Times Square Blue? Similarly, can you look at photographs of queer spaces and not immediately start flipping through Jose Muñoz’s Cruising Utopia to find a relevant quote? These two texts have done a number on criticism and critical … Continue reading
In Hilton Als’s at once heroic and damning 1994 portrait of then-Creative Director of Vogue Magazine André Leon Talley in The New Yorker, entitled “The Only One,” Als details Talley’s unwavering attachment to having “a moment.” “He finds moments in other people’s impulses (‘I can tell you were about to have a moment’), work (‘What Mr. … Continue reading
Art World Family. That’s the phrase that inspired me to click on the listing for an Executive Assistant position on NYFA’s classified listings (UPDATE: As of Friday, February 17, the listing has now been deleted, but good thing I kept this PDF as proof), curious about what this mysterious organization Art World Family was. I … Continue reading
Emily Colucci, Filthy Dreams. That’s how I signed the guestbook for Carrie Schneider’s exhibition I don’t know her at CHART. I don’t usually bother to write in exhibition guestbooks. The only major exception is the book for Stranger Than Kindness: The Nick Cave Exhibition in which a placard assured us fanatics that he would receive it. … Continue reading
I once saw Mary Boone make out with her dog. I should preface that I’m not a puppy hater, doggie-spit phobic, or even an anti-face- or lip-licker. Bring on the slobber! However, there was something alarming about voyeuristically staring at the typically stoic stalwart gallerist, the woman who fostered the careers of mega-art stars, was … Continue reading
“He who makes a beast of himself gets rid of the pain of being a man.” This quote by 18th-century English writer Samuel Johnson opens the Good Doctor Hunter S. Thompson’s Fear and Loathing in Las Vegas as an epigraph. There, it foreshadows a number of essential elements that make up Hunter’s classic manic eulogy … Continue reading
Scrolling through a list of recently opened exhibitions, one name gave me pause: Cumwizard69420. A name that reads as if birthed—or shat—straight from the bowels of the Internet. Cumwizard69420. A name that seems as if typed by a snickering teen signing into a chatroom in 1997. In fact, that name would not be out of … Continue reading
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