An operatic soprano, introduced by the night’s chirpy emcee duo as Haolan Geng, took the stage at the tony David Koch Theater at Lincoln Center, accompanied by only a young woman pianist in a floor-length black gown. Geng’s precise, soaring vocals belonged at the Metropolitan Opera House just across the way as she bellowed a … Continue reading
“Lypsinka Suffers Nervous Collapse!” So screams the trashy rag headline from the Los Angeles Tribune that spins dizzily into frame at the beginning of Lypsinka: Toxic Femininity, a 43-minute film directed by Chloë Sevigny and currently screening on The New Group Off Stage’s website (until February 16 so watch it fast!). The report of a … Continue reading
“Well, fuck you! You wanna fuck me, don’t you? I know. I know. I don’t blame you. If I was all of you, I’d want to fuck me too. You don’t see too many of THESE in Dayton, do you, honey?” Who could deny the demented allure of our putrid and preeminent filth deity Divine? … Continue reading
How many imaginary dialogues with dead poets have you had lately? Multidisciplinary artist Félicia Atkinson recently orchestrated an experimental performance in dialogue with Francis Ponge’s “The Candle (La Bougie)” from his collection Le Parti Pris des Choses (Siding with Things) at ISSUE Project Room in Brooklyn. An incantation of sorts, Atkinson’s sonic dreamscapes are haunting … Continue reading
“Once upon a time, there was a little Black girl…” announces LaWanda Page, spinning the tale of that little girl in the Brewster projects whose “modeling career took off” heard at the beginning of RuPaul’s iconic “Supermodel (You Better Work).” With those words–nostalgic to anyone who loves over-the-top queer dance music, Bronx-born performer NIC Kay … Continue reading
ALERT! On Friday, December 16, 2022, the author of this article, Efrem Zelony-Mindell, was arrested and charged by the FBI for the attempted enticement of one minor boy in Manhattan, New York, and possession and distribution of child pornography. I mean, Jesus Christ. The case is so viscerally revolting that we can barely read it … Continue reading
Last week, the New Museum, in collaboration with Visual AIDS, hosted an engrossing and important panel ACT NOW: Perspectives on Contemporary Performance and HIV/AIDS, tackling questions about the role of performance and the artist’s body in preserving, discussing and embodying the history, legacy and the current AIDS crisis. Continue reading