Piaffe, Ann Oren’s lusty ASMR-laden debut feature in 16mm, pivots around a timid young woman named Eva (Simone Bucio) having to play substitute Foley artist to Zara (Simon(è) Jaikiriuma Paetau), her troubled sibling holed up in a psych ward. Their shared apartment is a ready-to-go sound studio, where pairs of brogues and boots are purposefully … Continue reading
The Tirzah exhibition at SculptureCenter is as basic and enchanting as Tirzah’s music, which would perhaps be best described as mellow melancholia with spasms of grunge. If you weren’t already enamored with Tirzah, you’d probably walk into the exhibition, comprised of just two modestly scaled screens displaying music videos, all of which are readily available … Continue reading
In a basement not so far, far away from whence I came, I saw hell. Or, rather, the charred gates of hell, engulfed in flames, so papery thin that a devilish visitor could tear their way through them in an instant. Continue reading
Natalya Hughes’s The Interior, presently on view at the IMA in Brisbane, is in essence an abstraction of Freud’s consultation rooms during and after the Second World War, from Vienna to London. Hughes cordons off the threshold of her exhibition with a blue curtain on a metal rod, reminiscent of a makeshift hospital ward. The … Continue reading
Stepping closer to inspect the rouged cheeks of an otherwise black-and-white photograph of Nico, I neglected to notice Sarah Ortmeyer’s diminutive DIABOLUS (PROTECTOR), a cast aluminum sculpture roughly three inches in height, kicking it on its side. Continue reading
David Cronenberg’s Crimes of the Future presents us with a decaying modern civilization seamlessly coinciding with the moldy wear and tear of contemporary Athens — a fitting shooting location for a sci-fi dystopia that forgoes the polished surfaces, spacefaring, and multiverse traversal that other sci-fi dystopias depict. This version of the future offers up a … Continue reading
You might want to spare a whole day, or better yet two, to get through the overload of video works currently on view at the New Museum. For the museum’s main event, Lynn Hershman Leeson, pioneer of cybernetic personae, has at long last been dignified with a retrospective, Twisted, which for some may conjure memories … Continue reading
Remember that subaquatic ‘eye of fire’ boiling like a cauldron in the Gulf of Mexico a few weeks ago? Another chapter in our woeful history of blowouts, releasing millions of gallons of crude oil into the open sea, presenting us with mortifying images of dead and near-dead oil-slicked marine creatures gasping for air. Continue reading
As one of those annoying and agendaless hangers-on at the Outsider Art Fair these last few years, I couldn’t resist the additional prospect of artist/socialite Takashi Murakami making time between his mass-market endeavors to oversee a large-scale group exhibition of around two hundred sculptural works by approximately 60 visionary and vernacular folk artists from around … Continue reading
The inventor Nikola Tesla had a proclivity to give himself electrotherapeutic shocks. According to biographer Richard Munson, Tesla suffered debilitating depression, and it was not unusual at the time to deploy mild shocks to treat such an ailment. Each morning he would disrobe and stand naked upon his “vitality booster,” gradually administering higher doses. Michael … Continue reading