The body fits into its adornments; it is capable of more than its physicality. In Vincent Tiley’s art, the figure is not merely carnal. The potential of visual art is woven into the actions and implications of anatomy. Movement is an interconnected gesture to Tiley’s expression. Individuals are sculptural–they are not simply themselves, but they … Continue reading
The flesh of men is confused in the fascination of color and surface in Louis Fratino’s paintings, which were recently on display in an exhibition So, I’ve Got You at Thierry Goldberg Gallery. Convex limbs fill space and plastique air—full, flush, and broad. All these parts abound with certain illustrative and anthropomorphic qualities in the works … Continue reading
