Dance This Mess Around: MoMA’s “Club 57: Film, Performance, and Art In the East Village, 1978-1983”
Art / Party Out Of Bounds

Dance This Mess Around: MoMA’s “Club 57: Film, Performance, and Art In the East Village, 1978-1983”

I’m not used to suffering from invasive flashbacks inside a major museum. But, pulling back the heavy curtain, leading into Kenny Scharf’s Cosmic Closet, a cozy yet mind-altering intergalactic Day-Glo-painted trash utopia, I was immediately sent through a time warp to June 2011, boogying to The B-52s “Planet Claire” and Martha and the Vandellas “Jimmy … Continue reading

Caught In Eternal Digital Glitches: A Conversation With Jess Johnson
Art

Caught In Eternal Digital Glitches: A Conversation With Jess Johnson

New Zealand-born, NYC-based artist Jess Johnson’s recent exhibition Everything Not Saved Will Be Lost at Jack Hanley Gallery was a maximalist installation in which analog met digital, whereby her drawings were translated into virtual reality. Filthy Dreams’s Jessica Caroline chats to Johnson about her hyper-psychedelic theme park of cyber bodies in both unison and discord: … Continue reading

Strange What Love Does: Lisa Brice’s “Boundary Girl”
Art

Strange What Love Does: Lisa Brice’s “Boundary Girl”

Blue and red make the hottest of color combinations. Oppositional yet no less alluring, the passion of these contrasting colors is perhaps best exemplified by the opening scene of Jean-Luc Godard’s chaotic domestic classic Le Mépris. Laying in bed with her husband Paul, Brigitte Bardot’s Camille questions him on how much he loves her body, while bathed in a red glow. Continue reading

Tell Me I’m Your National Anthem: Pacifico Silano’s “John John”
Art

Tell Me I’m Your National Anthem: Pacifico Silano’s “John John”

After the dreamy crack of fireworks and a soar of cinematic strings, Lana Del Rey begins her lush love song “National Anthem” with the frank line: “Money is the anthem of success.” Celebrating the all-too-rich, beautiful and doomed, the corresponding 8-minute long video features Lana immersed in a Kennedy-esque Camelot fairytale with A$AP Rocky playing the JFK to Lana’s Jackie. Continue reading

This Exhibition Avoids Turning Identity Into Easily Digestible Clickbait: “Trigger: Gender As A Tool And A Weapon”
Art

This Exhibition Avoids Turning Identity Into Easily Digestible Clickbait: “Trigger: Gender As A Tool And A Weapon”

“…all press is good press to the contemporary enemy and they absorb all weapons launched at them ‘no weapons formed against them shall prosper’ reformed as ‘all weapons against them shall prosper’ they will absorb them into their promotional machine its best to keep it private account,” reads House of Ladosha’s vinyl Untitled (a carry) in … Continue reading

Daddy Camp: Merging Beauty and Camp In Mike Kuchar’s “Drawings By Mike!”
Art / Camp

Daddy Camp: Merging Beauty and Camp In Mike Kuchar’s “Drawings By Mike!”

Walking through Anton Kern Gallery’s exclamatory (and inflammatory) current exhibition Drawings By Mike!, I had to stop myself from sighing like Tim Curry’s Dr. Frank-N-Furter, “Oh ROCKY!” That urged bubbled up from deep within while viewing drawing after drawing of impossibly tanned, blonde and muscular figures scattered on the walls of the gallery’s chic 55th Street space, which gave its top floor over to deliciously lurid trash. Continue reading