*cronch cronch cronch* Oh! *cough* What’s that? I’m just trying to eat my way through a mega-sized box of Valentine’s hearts. Why? Because we have to support small businesses in times like these, including choking down all the dry and chalky drug store candy hearts we can stomach! What else is there to do on … Continue reading
Tag Archives: Tennessee Williams
I’m A Brooklyn Baby: Finding Fellowship In Hugh Ryan’s “When Brooklyn Was Queer”
A young, fey sprite-like Truman Capote lounges, spread out on two ornate chairs, wielding a cigarette holder much like Holly Golightly from his Breakfast at Tiffany’s. Though Capote is at his most beautiful, not booze-bloated as his later years, he is somehow the least interesting thing in this photograph by Slim Aarons. The writer is … Continue reading
Tennessee Williams’s Paintings Are Terrible (And That’s Why I Love Them)
“Now Orpheus, crawl, O shamefaced fugitive, crawl back under the crumbling broken wall of yourself, for you are not stars, sky-set in the shape of a lyre, but the dust of those who have been dismembered by Furies!” –Tennessee Williams “Orpheus Descending” In his ongoing Q&A newsletter The Red Hand Files last week (#20 if … Continue reading
In Every Dream Home A Heartache: Memory In Glen Fogel’s “With You…Me”
“Memory–what a strange thing it is!…” writes Gaston Bachelard in The Poetics of Space (9).In contrast to its dry and dour title, The Poetics of Space is a thoroughly Lynchian trip through memory, home and dreams, or more specifically, daydreams. Continue reading
There’s No Place Like Home: Tom Atwood’s “Kings & Queens In Their Castles”
Home can reveal so much about a person. Yes, this is an obvious cliché, but an individual’s architectural and interior design sensibilities–not to mention their cornucopia of tacky knick-knacks scattered around their existence–speaks volumes. This truism relates perhaps even more to queer individuals. Since, at the very least, the Decadents at the turn of the … Continue reading
Reading Andy: Warhol’s Queer Literary Ambitions In ‘Warhol By The Book’
Describing the initial inspiration behind his aggressively and amusingly trying amphetamine-fueled tome a: A Novel in his more palatable The Philosophy of Andy Warhol (From A to B and Back Again), Andy Warhol explains, “I think it all started because I was trying to do a book. A friend had written me a note saying … Continue reading
Mama’s Weekly W(h)ine: All The News That’s Not Fit To Print
Co-Founder’s note: As you dearest of the dear Filthy Dreams readers know, I (as well as our intrepid contributor Osman) are currently working away on Party Out Of Bounds: Nightlife As Activism Since 1980, which is only a little over a month away *breathes into a paper bag/huffs poppers* Unsurprisingly because of this, we have been a little … Continue reading
Call From The Past: Chiharu Shiota’s “Trace of Memory” at the Mattress Factory
In the Mattress Factory’s new building at 516 Sampsonia Way, artist Chiharu Shiota’s site-specific installation “Trace of Memory” converts the recently renovated 19th century row house into a haunting meditation on memory. Continue reading
Love From Bertha: Queer World-Making In The Art Of Mark Morrisroe
Well, at ClampArt’s current exhibition of artist Mark Morrisroe’s work Hello From Bertha, we discovered we are certainly not the only ones who treat our beloved Tennessee Williams as a role model. Continue reading
Who Was Mike Kelley?: A Genealogy Of Dangerous Blue-Collar Trash Aesthetics (Part 1)
From his early witty birdhouse sculptures to his use of dirty stuffed animals and bargain bin remnants to his enormous installations such as “Extracurricular Activity Projective Reconstructions #2-32 (Day Is Done)” and “Kandors,” Mike Kelley’s overwhelming and engrossing retrospective currently at MoMA PS1 asserts the importance of Kelley’s transgressive and brave aesthetic. Continue reading