Throw, Throw, Throw Yer Coats!: 20 Things I Would Steal From “Studio 54: Night Magic”
Art / Fashion / Music / Party Out Of Bounds

Throw, Throw, Throw Yer Coats!: 20 Things I Would Steal From “Studio 54: Night Magic”

The Brooklyn Museum’s latest offering Studio 54: Night Magic, curated and designed by Matthew Yokobosky, Senior Curator of Fashion and Material Culture, could, for some discerning spectators, be alternately called Studio 54: Lite. The curatorial focus is, of course, on fashion and design, so adjust your expectations as such. It’s about meticulous attention to lavish … Continue reading

I Don’t Know Where We’re Going, I Guess I Never Do: A Shot-By-Shot Interpretation Of SSION’s “At Least The Sky Is Blue”
Music

I Don’t Know Where We’re Going, I Guess I Never Do: A Shot-By-Shot Interpretation Of SSION’s “At Least The Sky Is Blue”

SSION’s Cody Critcheloe transforming into a blue fingernail-sporting, drag version of Liza Minnelli. performing Neil Young’s “Hey Hey, My My (Into the Black),” was a vision I didn’t know I needed. But I did. Desperately. Ever since the release of SSION’s new music video “At Least The Sky Is Blue,” which Critcheloe also directed, Marion … Continue reading

Filthy Dreams’s GIF Review: Kathe Burkhart’s “From The Liz Taylor Series” At Mary Boone
Art / GIF Reviews

Filthy Dreams’s GIF Review: Kathe Burkhart’s “From The Liz Taylor Series” At Mary Boone

Why hello there, dearest Filthy Dreams readers! And welcome to the newest installment of our GIF review series. This GIF review focuses on Kathe Burkhart’s exhibition From The Liz Taylor Series at the swanky uptown Mary Boone Gallery. Why they even had a pianist in the lobby to make sure you knew it was fancy. With monumental paintings … Continue reading

Not So Fast, Tom Ryan: Elizabeth Taylor’s Presence and Absence In Catherine Opie’s ‘700 Nimes Road’
Art

Not So Fast, Tom Ryan: Elizabeth Taylor’s Presence and Absence In Catherine Opie’s ‘700 Nimes Road’

In Jay Prosser’s photographic study Light in the Dark Room: Photography and Loss, Prosser analyzes the power of photography to record absence, as well as–seemingly contradictorily–presence. As he explains, “photography is the medium in which we unconsciously encounter the dead…Photographs are not signs of presence but evidence of absence. Or rather the presence of a photograph … Continue reading