In Hilton Als’s at once heroic and damning 1994 portrait of then-Creative Director of Vogue Magazine André Leon Talley in The New Yorker, entitled “The Only One,” Als details Talley’s unwavering attachment to having “a moment.” “He finds moments in other people’s impulses (‘I can tell you were about to have a moment’), work (‘What Mr. … Continue reading
I once saw Lou Reed on a bicycle. No, it wasn’t a hallucination. That I’m aware of at least. It was 2007 and I had just graduated college. Unemployed with not much to do, I spent my time wandering aimlessly around the city while applying for jobs at the precipice of the 2008 subprime mortgage-induced … Continue reading
What if the artist who spent most of his career seeking to “be a machine” never really nailed it? That’s the central question of the aggravatingly flawed but incredibly moving Netflix docuseries The Andy Warhol Diaries, directed by Andrew Rossi. This expansive six-part series uses Warhol’s posthumously published diaries—or really his compulsive daily telephone ramblings … Continue reading
Why hello there, dearest Filthy Dreams gobblers! What’s that? You’re excited for the second annual pandemic Thanksgiving?! Well, who isn’t, my little stuffed turklets! When Filthy Dreams was originally conceived as a camp twist on the idea of Nietzsche’s eternal return—a show happening on the hour every hour—a decade ago, we never quite realized how … Continue reading
The inventor Nikola Tesla had a proclivity to give himself electrotherapeutic shocks. According to biographer Richard Munson, Tesla suffered debilitating depression, and it was not unusual at the time to deploy mild shocks to treat such an ailment. Each morning he would disrobe and stand naked upon his “vitality booster,” gradually administering higher doses. Michael … Continue reading
The Brooklyn Museum’s latest offering Studio 54: Night Magic, curated and designed by Matthew Yokobosky, Senior Curator of Fashion and Material Culture, could, for some discerning spectators, be alternately called Studio 54: Lite. The curatorial focus is, of course, on fashion and design, so adjust your expectations as such. It’s about meticulous attention to lavish … Continue reading
What has Dennis Cooper wrought? Not only writing some of the most deliciously depraved and literary luminous experimental novels for decades, he’s also inspired a multitude of similarly demented writers who came up after him. Of course, Dennis has his own deep and dark influences from the Marquis De Sade to Rimbaud to Jean Genet … Continue reading
“I love everything that’s bad with America and that’s what I make movies about,” explains our preeminent filth elder John Waters. John isn’t the only one. Shortly before Waters’s Hag in a Black Leather Jacket (barely) graced screens, Andy Warhol was publicly embracing the tacky, trashy and terribly capitalist side of American culture. From cheaply and … Continue reading
“I’ll never forget the humiliation of bringing my portfolio up to Carmel Snow’s office at Harper’s Bazaar and unzipping it only to have a roach crawl out and down the leg of the table. She felt so sorry for me that she gave me a job,” writes Andy Warhol in The Philosophy of Andy Warhol: … Continue reading
Last week, Vanity Fair published “Andy Warhol and Edie Sedgwick: A Brief, White-Hot and Totally Doomed Romance,” a rambling yet nostalgic look into Andy and Edie’s short-lived mutual obsession. Comparing Andy and Edie to, at once, Marilyn Monroe and Romeo and Juliet, the article is a lot, but it also managed to rekindle my fascination … Continue reading