Our new Bible (all photos by moi) Susan Sontag may have written the most renowned and widely considered definitive consideration of camp, but let’s be honest, Susie could not be camp if her public intellectual life depended on it. Regarding the Pain of Others, Illness as Metaphor, or even, On Photography aren’t exactly laugh riots! … Continue reading
Tag Archives: Andy Warhol
Everyone Will Be Famous for Fifteen Cookies: 15 Things I Would Steal from “Brigid Berlin: The Heaviest”
The muddled, muffled sounds of an indiscernible song fuzzily blasted through a pair of wireless headphones at Vito Schnabel Gallery. Even though the listening experience was akin to holding a tin can full of static to my ear, I got a little choked up, straining to hear a then-new Velvet Underground demo played over the … Continue reading
Having a Moment in André Leon Talley’s Collection at Christie’s: A (Mostly) Photo Essay
In Hilton Als’s at once heroic and damning 1994 portrait of then-Creative Director of Vogue Magazine André Leon Talley in The New Yorker, entitled “The Only One,” Als details Talley’s unwavering attachment to having “a moment.” “He finds moments in other people’s impulses (‘I can tell you were about to have a moment’), work (‘What Mr. … Continue reading
I Know Where Temptation Lies (Inside of My Heart): The Items I Would Steal From “Lou Reed: Caught Between the Twisted Stars”
I once saw Lou Reed on a bicycle. No, it wasn’t a hallucination. That I’m aware of at least. It was 2007 and I had just graduated college. Unemployed with not much to do, I spent my time wandering aimlessly around the city while applying for jobs at the precipice of the 2008 subprime mortgage-induced … Continue reading
All My Love Forever: Warhol’s Love Stories That Art History Never Knew It Needed in “The Andy Warhol Diaries”
What if the artist who spent most of his career seeking to “be a machine” never really nailed it? That’s the central question of the aggravatingly flawed but incredibly moving Netflix docuseries The Andy Warhol Diaries, directed by Andrew Rossi. This expansive six-part series uses Warhol’s posthumously published diaries—or really his compulsive daily telephone ramblings … Continue reading
6 Videos To Watch While Waiting For The Second Coming of JFK Jr. This Thanksgiving
Why hello there, dearest Filthy Dreams gobblers! What’s that? You’re excited for the second annual pandemic Thanksgiving?! Well, who isn’t, my little stuffed turklets! When Filthy Dreams was originally conceived as a camp twist on the idea of Nietzsche’s eternal return—a show happening on the hour every hour—a decade ago, we never quite realized how … Continue reading
“I Like to Watch”: Asexuality in Cinema
The inventor Nikola Tesla had a proclivity to give himself electrotherapeutic shocks. According to biographer Richard Munson, Tesla suffered debilitating depression, and it was not unusual at the time to deploy mild shocks to treat such an ailment. Each morning he would disrobe and stand naked upon his “vitality booster,” gradually administering higher doses. Michael … Continue reading
Throw, Throw, Throw Yer Coats!: 20 Things I Would Steal From “Studio 54: Night Magic”
The Brooklyn Museum’s latest offering Studio 54: Night Magic, curated and designed by Matthew Yokobosky, Senior Curator of Fashion and Material Culture, could, for some discerning spectators, be alternately called Studio 54: Lite. The curatorial focus is, of course, on fashion and design, so adjust your expectations as such. It’s about meticulous attention to lavish … Continue reading
I Like Boring Things: A.W.W. Bremont’s Horrific Mundane (or Mundane Horror) In “Hey Boy”
What has Dennis Cooper wrought? Not only writing some of the most deliciously depraved and literary luminous experimental novels for decades, he’s also inspired a multitude of similarly demented writers who came up after him. Of course, Dennis has his own deep and dark influences from the Marquis De Sade to Rimbaud to Jean Genet … Continue reading
Pop-Lifting: The 13 Items I’d Like To Steal From “Andy Warhol: From A to B and Back Again”
“I love everything that’s bad with America and that’s what I make movies about,” explains our preeminent filth elder John Waters. John isn’t the only one. Shortly before Waters’s Hag in a Black Leather Jacket (barely) graced screens, Andy Warhol was publicly embracing the tacky, trashy and terribly capitalist side of American culture. From cheaply and … Continue reading