In the catalogue for her current exhibition Al-ugh-ories at the New Museum, artist Nicole Eisenman responds to a question on her employment of painting by the Museum’s Artistic Director Massimiliano Gioni who asks, “Did you feel that you were taking on a slightly anachronistic medium?” Eisenman replies, “That never occurred to me. Maybe it had … Continue reading
Last week, the New Museum, in collaboration with Visual AIDS, hosted an engrossing and important panel ACT NOW: Perspectives on Contemporary Performance and HIV/AIDS, tackling questions about the role of performance and the artist’s body in preserving, discussing and embodying the history, legacy and the current AIDS crisis. Continue reading
This week, I was told that I write from a “contrarian personal sensibility,” and you know what, they’re right. I believe in bad taste and bad bars, in Russ Meyer and John Waters, in terrible kitsch and even worse camp. I was weened on contrarians and outlaws like Kathy Acker, Lydia Lunch and Dennis Cooper.I believe in transcendence through transgression, trash, humor, shock and filth, which brings me to the subversive cinema of Nick Zedd. Continue reading