Radical Perverts: Ecstasy and Activism in Queer Public Space, 1975-2000 at the Museum of Sex should come with its own scratch-and-sniff cards. Steal the patented Odorama technology used in John Waters’s Polyester–who gives a fuck. Dean Sameshima’s delightfully clinical series of four public restrooms, Untitled (South Bay Tearooms), which, much like Jimmy DeSana’s early series … Continue reading
If I could turn back time…whoa! What’s that? Oh, I’m just fantasizing about time traveling back to 1990s San Francisco, after being inspired by Magic Ben Big Boy, a current exhibition at Matthew Marks Gallery. A product of a specific time and place, the show centers around a recreation of Vincent Fecteau’s cat, eggs and … Continue reading
“Writing & Drawing Are Sister Arts,” announces banners flowing from an old-timey quill pen on a drawing in Nayland Blake’s solo exhibition #IDrawEveryDay at Matthew Marks Gallery. Even though this proper, decadent illustration, culled from a book of 19th century penmanship exercises, seems at odds with the bulls, bears and bunnies in the surrounding drawings, the work, titled 6.1.15, acts as the show’s manifesto. As with the sister arts of writing and drawing, Blake reveals how daily drawing practice can record a visual memoir. Continue reading
“…all press is good press to the contemporary enemy and they absorb all weapons launched at them ‘no weapons formed against them shall prosper’ reformed as ‘all weapons against them shall prosper’ they will absorb them into their promotional machine its best to keep it private account,” reads House of Ladosha’s vinyl Untitled (a carry) in … Continue reading
Why hello there, dearest Filthy Dreams readers and fellow filth fanatics! It’s about the right time to announce what your co-founder Emily Colucci and intrepid contributor Osman Yerebakan have been working hard on since December 2013. As you know, Filthy Dreams was originally conceptualized as a sleazy bar before we lowered our expectations and started … Continue reading