In her 1994 essay The Body in Pieces: The Fragment as a Metaphor of Modernity, art historian Linda Nochlin ties the genesis of modernism to the French Revolution, framing the guillotine as a symbol of the severing of inherited dynastic power ushering in an era of radical politics, creativity, and culture. The guillotine becomes representative … Continue reading
Underneath the 1980s nostalgia of Netflix’s drama Stranger Things, the sleepy Midwestern town of Hawkins, Indiana becomes a porous portal into an alternate dimension that the kids on the show call “The Upside Down.” Continue reading
Getting ahead of ourselves as we often do in our typical unbridled and slightly off-putting fashion, we want to highlight Greer Lankton’s art even though her solo exhibition LOVE ME will not appear at Participant Inc. for another year. Continue reading