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Mammy’s Revenge: The Inescapability Of History In Kara Walker’s ‘A Subtlety’
Art

Mammy’s Revenge: The Inescapability Of History In Kara Walker’s ‘A Subtlety’

One of the most subversive public art installations I have ever seen, Walker’s radical artistic creation vibrates with history: the history of race and gender under slavery, the history of the sugar industry, the history of art and the history of New York City. Given the multitude of meanings, Walker’s A Subtlety is certainly anything but subtle. Continue reading

Excuse-moi, Can I Have a Bite?: A Look at ‘Only Lovers Left Alive’
Film

Excuse-moi, Can I Have a Bite?: A Look at ‘Only Lovers Left Alive’

“I blame Shelley and Stoker,” says Eve, one of the main vampires in Only Lovers Left Alive. Eerie and existentialist can be perfectly convenient for defining Jim Jarmusch’s cinema. Since his major feature film Stranger Than Paradise, he has been keeping his auteur soul with a filmography dedicated to character development, atmosphere orchestration and visual … Continue reading

Sleaze, Mister, Sleaze: The Power of Erotic Gay Male Illustrations In ‘Stroke: From Under the Mattress To The Museum Walls’
Art

Sleaze, Mister, Sleaze: The Power of Erotic Gay Male Illustrations In ‘Stroke: From Under the Mattress To The Museum Walls’

If you’re like me and have been rummaging around the Internets for archives of bygone LGBTQ magazines, you may recognize that half of the perfectly sleazy title to this article is ripped straight from the pages of a 1989 issue of Outweek Magazine. From the 1950s on, magazines such as the activist Outweek, and many others, have provided queer … Continue reading