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The Omnipresence of Memory in Ann Weathersby’s ‘There is a Code of Behavior She Knew’
Art

The Omnipresence of Memory in Ann Weathersby’s ‘There is a Code of Behavior She Knew’

I am always living between two realities. There is the reality of presence, of now and of exteriority. And then, there is the reality of distance, of timelessness and of interiority. These two realities–the reality of me here now typing on my computer and the reality inside my fantasy space of memory and dreams–feel no … Continue reading

‘Cats’ Is My Favorite Cinematic Failure Of All Time
Film

‘Cats’ Is My Favorite Cinematic Failure Of All Time

There’s something spectacular about failure. Of course, it’s no surprise that I think that. As most of you faithful Filthy Dreams readers know, I have a soft spot for failure, from Nick Cave & The Bad Seeds’ atrocious album Nocturama, David Bowie’s unbearable pirate song “Red Sails” to Tennessee Williams’ putrid paintings. Even our blessed … Continue reading

Aren’t We Special?: Filthy Dreams’s 10 Most-Read Essays Of 2019
Lists / Trash

Aren’t We Special?: Filthy Dreams’s 10 Most-Read Essays Of 2019

Why hello there, faithful Filthy Dreams denizens! The beautiful people who keep our humble tribute to trash alive! The fuel that keeps our fanatical fires burning! Yes, that’s right–where and what would we be without YOU?! You should really give yourself a round of applause, treat yourself to some terribly ill-advised shot of well liquor … Continue reading

‘I Am Consumed in the Weight of You’: “Self-Portrait in 23 Rounds: A Chapter in David Wojnarowicz’s Life (1989-1991)” at London’s Live Art Development Agency
Art

‘I Am Consumed in the Weight of You’: “Self-Portrait in 23 Rounds: A Chapter in David Wojnarowicz’s Life (1989-1991)” at London’s Live Art Development Agency

To mark this year’s World AIDS Day, London’s Live Art Development Agency (LADA) hosted the first UK screening of Marion Scemama’s 2018 film essay Self-Portrait in 23 Rounds: A Chapter in David Wojnarowicz’s Life (1989-1991), co-directed with François Pain. Having spent the past two years immersing myself in Wojnarowicz’s life and work, I was hungry … Continue reading