Last week, Tila Tequila…I mean, Tornado Thien, the reality show star turned (neo)Nazi sympathizer, has apparently made yet another whiplash-inducing transition: religious zealot, announcing on a rambling high decibel live YouTube stream that she would be starting a GoFund Me campaign to fundraise for her upcoming gospel album. Continue reading
Why hello there dear Filthy Dreams readers! Have we got a treat for you! Last night at The Broad in Los Angeles our favorite filth elder interrogated blue-chip artist and Michael Jackson portraitist Jeff Koons on subjects ranging from his menacing inflatables to children to John’s loathing of riding dolphins and their shared love and utmost respect for trash. Continue reading
In honor of the Mike Kelley: Looking Forward symposium at MoMA PS1, as well as a perfect way to avoid the Santacon hoards on this snowy day, we wanted to make it easier to read the full series of co-founder Emily Colucci’s “Who Was Mike Kelley: A Genealogy Of Dangerous Blue-Collar Trash Aesthetics.” Performing a … Continue reading
Wheeeeew kweeens…it’s been a Mike Kelley-heavy week here at Filthy Dreams, hasn’t it? Are you ready for one more round? Sure, you are. Who could ever tire of that insightful Detroit-native with a healthy love of filth, trash and kitsch! I know I couldn’t. For those of you just joining in or who chose to … Continue reading
Well, hello again. Back so soon? I knew you couldn’t wait for my next installment of feverish Mike Kelley adoration. A quick reminder for those of you with short memories or at least blacked-out during the introduction of my previous essay (It’s been known to happen): I am constructing a genealogy of Mike Kelley’s art, … Continue reading
From his early witty birdhouse sculptures to his use of dirty stuffed animals and bargain bin remnants to his enormous installations such as “Extracurricular Activity Projective Reconstructions #2-32 (Day Is Done)” and “Kandors,” Mike Kelley’s overwhelming and engrossing retrospective currently at MoMA PS1 asserts the importance of Kelley’s transgressive and brave aesthetic. Continue reading
