Dear Lana, forgive us our sins. Dear Lana, forgive us our sins…Wait…what’s that? Oh, I was just praying to our lord, savior, national anthem and blessed mother Lana Del Rey. If you’re not praying to your idols, then how are you expected to get anything out of life? Certainly even Jesus could recognize the cleansing … Continue reading
Dearest fellow obsessives and maybe stalkers, I want to personally invite you, dearest Filthy Dreams compulsives, to come together to celebrate our collective fixations–our role models or filth elders, if you will, at Idol Worship, a group exhibition curated by your faithful Filthy Dreams co-founder that opens at Smack Mellon on November 16 from 6-8PM (and … Continue reading
Why, hello there, dearest Filthy Dreams readers! Are you feeling obsessed? Are you creating fanatical artwork about women or women-identifying role models? Want to put your startlingly monomaniacal filth elder adoration into the world? Well, then, please think about applying to this open call for emerging artists for the group exhibition Idol Worship that I, your … Continue reading
Can humor be a form of resistance in our increasingly dystopian era? I certainly think so, as I’ve argued on Filthy Dreams previously (and repeatedly). Recently, though, comedy, mainly stand-up, is being reevaluated due to comedian Hannah Gadsby’s highly emotional and now, greatly hyped special Nanette. Continue reading
Well, I know I promised days ago, faithful Filthy Dreams readers, that I wasn’t going to do a tired old best of list, but Filthy Dreams is nothing if not inconsistent and unpredictable. While I was going to write another “making up for lost time” review of Jordan Wolfson’s show at David Zwirner, I decided … Continue reading
In his song “Lady Stardust” from his seminal album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie vividly describes an androgynous gender-bending singer, half-entertaining and half-terrifying a crowd with his decadent aesthetic and songs. Potentially written in honor of T. Rex’s frontman Marc Bolan, “Lady Stardust” also references Bowie’s own playful, visionary and even, utopian transgressions of traditional gender binaries, particularly when dressed as the glam rock savior Ziggy Stardust. Continue reading