What Bodies And Whose Stories Do We Primarily Witness Onstage?: Intersectional World-Making With Kinetic Light’s “DESCENT”
Performance

What Bodies And Whose Stories Do We Primarily Witness Onstage?: Intersectional World-Making With Kinetic Light’s “DESCENT”

In Feminist, Queer, Crip, Alison Kafer speaks to the presumed lack of disability in imagined, idealized futures. “If disability is conceptualized as a terrible unending tragedy,” she writes, “Then any future that includes disability can only be a future to avoid. A better future, in other words, is one that excludes disability and disabled bodies; … Continue reading