Well, if queer utopia can be glimpsed within the aesthetic, so can queer dystopia, as proved by Bjarne Melgaard’s utterly terrifying, yet, oddly satisfying and engrossing installation on the third floor of the Whitney Biennial. Continue reading
Well, if queer utopia can be glimpsed within the aesthetic, so can queer dystopia, as proved by Bjarne Melgaard’s utterly terrifying, yet, oddly satisfying and engrossing installation on the third floor of the Whitney Biennial. Continue reading