Can ball gags be wholesome? Can an object stuffed into your gaping mouth, eyes watering as you struggle to slurp back a swallow, be family-friendly? Can that same ball gag, yanked into place by a leather harness with straps cutting sharp diagonals across your face, be a suitable accessory for a lovely, casual dinner with … Continue reading
Tag Archives: photography
Sisters of the Moon: Pia Paulina Guilmoth’s “Flowers Drink the River” at CLAMP
Two deer stare, stunned, their ears perked nervously straight up. Their sweet brown eyes have turned zombie white, caught in a camera flash rather than the headlights of a speeding Ford F-150 barreling down a dirty back road at night. One looks like she’s about to bolt, her body tensed in the tall grasses in … Continue reading
Hold Me Closer, Tiny Thiever: Pics I’d Like to Steal from “Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection”
I’ve never been a rabid fan of Elton John. As a child, I wanted to hear Jeremy Irons’s queen Scar sing about revenge more than Elton caterwaul about feeling the lion love tonight. As an adult, I rolled my eyes in exhausted disappointment when I saw outlaw country mystery man Orville Peck collaborating with the … Continue reading
What Do We Really Know of the Dead: Peter Hujar’s “Portraits in Life and Death” and Paul P.’s “Sibilant Esses”
At some point in college—or maybe grad school, I sought out Peter Hujar’s only published photobook Portraits in Life and Death at New York University’s Bobst Library. I wanted to pour over black and white photographs of filth elders like a pensive portrait of Divine, sans wig and forehead-reaching liquid eyeliner, curled up in a … Continue reading
Strewn Wigs, Gun Shops, and Trailers: Anastasia Samoylova and Walker Evans Capture America’s Trash Oasis at the Met
“Florida is beyond the earthly; it’s spiritual,” comedian Tim Dillon reflected in a recent Patreon episode. “You cannot get rid of the idea of Florida.” He’s right. Florida is a place, sure, but even more so, it’s an idea. Many ideas, really: alligators lounging on golf courses; palm trees swaying in the beach breezes; Tennessee … Continue reading
From Sleeping Boys to Hot Clinton/Gore: Gonzalo Reyes Rodriguez Connects an Alternative Queer History at David Peter Francis
If Gonzalo Reyes Rodriguez’s current exhibition Survey at David Peter Francis had a smell, other than that of East Broadway’s markets wafting through the third-floor windows, it would be that sweetly sour stench of unwashed, slept-in sheets and stale dry-mouthed morning breath. A man dozes, his face pushed hard into the white-sheeted bed while his … Continue reading
“As the World Burns: Queer Photography and Nightlife in Boston” Keeps Dancing and Breaking out the Booze Through the Archives
A monstrous gaudy powder-white Christmas wreath, adorned with silver balls and a gigantic red bow, towers over a full bar. The ginormous wreath is flanked by metallic cut-out stars, floating down from the heavens, caught by a single string pinned to the ceiling. Partially hidden behind the pine needles like an upstaged choir are the … Continue reading
A Session of Porn Therapy in Dean Sameshima’s “Being Alone” at Queer Thoughts
Can you write an essay about porn theaters that doesn’t cite Samuel R. Delany’s Times Square Red, Times Square Blue? Similarly, can you look at photographs of queer spaces and not immediately start flipping through Jose Muñoz’s Cruising Utopia to find a relevant quote? These two texts have done a number on criticism and critical … Continue reading
Boy, Don’t You Know You Can’t Escape Me?: Carrie Schneider’s “I don’t know her” at CHART
Emily Colucci, Filthy Dreams. That’s how I signed the guestbook for Carrie Schneider’s exhibition I don’t know her at CHART. I don’t usually bother to write in exhibition guestbooks. The only major exception is the book for Stranger Than Kindness: The Nick Cave Exhibition in which a placard assured us fanatics that he would receive it. … Continue reading
To Be Gorgeous: A Conversation on Thierry Mugler and Jimmy DeSana at the Brooklyn Museum
“To be Gorgeous, strictly speaking, is something in itself. To be Gorgeous therefore is admirable, to be Absolutely Gorgeous most desired.” So begins an essay in one of the many zines in the Brooklyn Museum’s Jimmy DeSana: Submission exhibition, which is joined by the museum’s concurrent Thierry Mugler: Couturissime show in advocating for skin-deep/skin-tight beauty. … Continue reading