Mystics are having a welcome moment of resurgence, from Hilma af Klint’s Painting for the Future at the Guggenheim, to Leonora Carrington’s Magical Tales at The Contemporary Art Museum of Monterrey, to Leonor Fini’s overdue first survey in New York at the Museum of Sex, Theatre of Desire, 1930-1990, curated by Lissa Rivera. This is … Continue reading →