Eric Sneathen’s Don’t Leave Me This Way, published recently by Nightboat Books, is a ghost story. Ok, the book is not a ghost story in any traditional sense. There are no vengeful ghosts banging open closets or throwing silverware around after being summoned by a Ouija Board or, as in Danny and Michael Philippou’s film … Continue reading
As primarily nonfiction readers, your faithful co-founder Emily Colucci and contributor Jessica Caroline have been making an effort to overcome our general reluctance to engage more in contemporary fiction. We gave Lauren Oyler’s Fake Accounts and Torrey Peters’ Detransition, Baby a whirl. However, it’s not like authors at larger publishing houses are in dire need of … Continue reading
The first few chapters of McKenzie Wark’s Sensoria: Thinkers for the Twenty-First Century, recently published by Verso Books, had us both thinking: why are we reading Wark’s book reports? Are we to do a book report on book reports? So instead of that exercise in grad(e) school nostalgia, we decided to have a meandering chat … Continue reading
What does it mean to be radical? How can people from marginalized communities work to disrupt dominant systems of power and control? These questions have exploded recently, particularly after some crusty critics moaned about the lack of radicality in the 2019 Whitney Biennial and artists furiously took to social media in response. But, what is … Continue reading
Ariel Goldberg’s The Estrangement Principle–a roving, multi-year investigation into the labels “queer art” and, to a lesser extent, “queer literature”–could not come at a better time. I don’t know about you, dearest Filthy Dreams readers, but have you noticed that it’s become a little queerer recently? At least to me, it seems like the term … Continue reading