Welcome Back to the Pleasure Dome: “After Blue (Paradis sale)” Resurrects the Filthy Delights of Camp Artifice
Camp / Decadence / Film

Welcome Back to the Pleasure Dome: “After Blue (Paradis sale)” Resurrects the Filthy Delights of Camp Artifice

Are you sick to death of sleek cinema? An overbearing aesthetic that has trickled down so far that even the most whacko experimental films and unhinged underground movies strive to achieve a similar spotless surface perfection as those boring big-budget Hollywood films? Blech! Give me the awkward, the uncanny, the janky, the shonky, the half-baked, … Continue reading

Digging Through The Trash Aesthetic
Trash

Digging Through The Trash Aesthetic

“We are surrounded by everything you ever want,” purrs artist Andrew Logan, inviting viewers of homotopia.tv into the Glasshouse, his studio in London.[i] The Glasshouse resembles a Technicolor tumble through the looking glass if Alice sniffed poppers. His Pee-Wee’s Playhouse-esque studio is filled with giant eggs, regal tributes to Pegasus, and sculptures dedicated to outrageous … Continue reading

Why Do My Eyes Have To See This: The Cinematic Transgression of Nick Zedd
Film

Why Do My Eyes Have To See This: The Cinematic Transgression of Nick Zedd

This week, I was told that I write from a “contrarian personal sensibility,” and you know what, they’re right. I believe in bad taste and bad bars, in Russ Meyer and John Waters, in terrible kitsch and even worse camp. I was weened on contrarians and outlaws like Kathy Acker, Lydia Lunch and Dennis Cooper.I believe in transcendence through transgression, trash, humor, shock and filth, which brings me to the subversive cinema of Nick Zedd. Continue reading