A familiar two-toned intergalactic bleep warps as a stitched-up ass in flesh-colored leather pants, alluringly rocks side-to-side on screen. That recognizable do-doo emerges from its muddied distortion into the sonic perfection of “Goodbye Horses,” as Q Lazzarus’s stunning, androgynous voice hums over the beat. A face peers into the camera in slo-mo. Lit only by … Continue reading →