To look without fear. That’s the title of Wolfgang Tillmans’s current dizzying retrospective at MoMA. But this begs questions, namely, who is supposed to be looking without fear? Tillmans? The audience? If it’s the viewers, what are we bravely confronting? Berlin clubs? Photographs of Frank Ocean, Kate Moss, and Chloë Sevigny? A whole lot of images … Continue reading
Tag Archives: MoMA
Filthy Dreams’s GIF Review: Adrian Piper at MoMA
There are no words to describe how much I adored Adrian Piper’s retrospective at MoMA, but not for the reasons that seemed to preoccupy everyone else’s mind. Like with many art shows featuring Black artists at the moment, the white institution obsesses over artists of color who can “teach us” about gender, racism, and xenophobia. … Continue reading
Why Is Everyone Sleeping On Adrian Piper’s Teenage Doll Paintings?
You know I love dolls. That’s what John Waters snarled at Marion and me when we dragged our favored doll Carol Anne to meet her Uncle John at a book signing at Gagosian’s Upper East Side bookstore. Though I think of John’s demented doll declaration frequently, his words resonated especially deeply as soon as I … Continue reading
Dance This Mess Around: MoMA’s “Club 57: Film, Performance, and Art In the East Village, 1978-1983”
I’m not used to suffering from invasive flashbacks inside a major museum. But, pulling back the heavy curtain, leading into Kenny Scharf’s Cosmic Closet, a cozy yet mind-altering intergalactic Day-Glo-painted trash utopia, I was immediately sent through a time warp to June 2011, boogying to The B-52s “Planet Claire” and Martha and the Vandellas “Jimmy … Continue reading
No Family Is Safe When I Sashay: Sexuality In Robert Gober’s ‘The Heart Is Not A Metaphor’
In Pefume Genius’ song “Queen” off of their recently released album Too Bright, Mike Hadreas, the musician behind Perfume Genius, presents a defiant embrace of the homophobic stereotypes and fears surrounding gay effeminacy, namely the assumptions that effeminate gay men are diseased, threats to “The Family” and abject bottoms. Likewise, Robert Gober’s retrospective The Heart Is Not A Metaphor at the Museum of Modern Art resonates with a similar frank presentation of queer sexuality and homophobic notions surrounding it. Continue reading
Good Night, Sweet Campy Prince: A Belated (Mostly) Video Tribute To Taylor Mead
Sitting in the MoMA sculpture garden on Monday watching poet, actor and Warhol superstar Taylor Mead jiggle his ass in Warhol’s aptly titled film Taylor Mead’s Ass, which was shown in conjunction with Dirty Looks: On Location and Dirty Looks at MoMA: Mining The Collection, I realized that I will really miss Mead who passed away in May. Continue reading