Radical Perverts: Ecstasy and Activism in Queer Public Space, 1975-2000 at the Museum of Sex should come with its own scratch-and-sniff cards. Steal the patented Odorama technology used in John Waters’s Polyester–who gives a fuck. Dean Sameshima’s delightfully clinical series of four public restrooms, Untitled (South Bay Tearooms), which, much like Jimmy DeSana’s early series … Continue reading →