In the premiere episode of Pose, which focuses on the house and ball scene in 1980s New York, the House of Abundance rushes into a barely disguised Brooklyn Museum to swipe opulent historical clothing to compete as Royalty. Before they hide under podiums to evade security, each character has a private moment with various Egyptian … Continue reading
“Then comes pancake factor number one Eyeliner, rose hips and lip gloss, such fun You’re a slick little girl, you’re a slick little girl Rouge and coloring, incense and ice Perfume and kisses, oh it’s all so nice You’re a slick little girl, you’re a slick little girl Now we’re coming out, out of our … Continue reading
“Utopia can never be prescriptive and is always destined to fail,” writes José Esteban Muñoz in his chapter “After Jack: Queer Failure, Queer Virtuosity” in Cruising Utopia. The chapter traces the queer utopian legacy of filmmaker Jack Smith through the work of contemporary artists and performers like Dynasty Handbag, Kalup Linzy and My Barbarian. This … Continue reading
Underneath the 1980s nostalgia of Netflix’s drama Stranger Things, the sleepy Midwestern town of Hawkins, Indiana becomes a porous portal into an alternate dimension that the kids on the show call “The Upside Down.” Continue reading
“It’s almost embarrassing to acknowledge how good things are…There’s something abnormal about it,” reflects Perfume Genius’s Mike Hadreas in an interview with FADER. With the release of his new album this week No Shape, a transcendent ode to romanticism, love and domesticity as redemption, Perfume Genius raises the question: What does utopia sound like? Continue reading
The ladies of Sister Sledge knew what they were talking about when they said there was no turning back in their song “Lost In Music.” While the singers meant giving themselves over to the rhythm of disco at the height of its dazzling era, there is, indeed, no turning back now either. Continue reading
Depression, despair, despondency, longing, melancholia and heartbreak are unlikely emotions to trumpet at a time when anger and righteous indignation seem like the only affects we’re allowed to access for mass resistance and protest. Continue reading
In José Esteban Muñoz’s now probably over-quoted introduction to Cruising Utopia: The Then and There of Queer Futurity, Muñoz describes, “Both the ornamental and the quotidian can contain a map of the utopia that is queerness” (1). Similar to Muñoz’s assertion, artist Anna Campbell works almost exclusively with “the ornamental and the quotidian” as a site for … Continue reading