Rococo Raunch: Abject Femininity And Porcelain Provocations At Jessica Stoller’s ‘Spoil’
Art

Rococo Raunch: Abject Femininity And Porcelain Provocations At Jessica Stoller’s ‘Spoil’

Like Kathy Acker’s description of women as disrupting criminals, ceramic artist Jessica Stoller’s current exhibition Spoil at P.P.O.W. Gallery destroys the ideals of feminine beauty and subjugation by representing abject female sexuality and other disturbing and depraved imagery through the typically delicate and dainty (just like a proper woman) medium of porcelain. Continue reading