Gay Shame Is In Fashion At Bjarne Melgaard’s “The Casual Pleasure Of Disappointment”
Art / Fashion

Gay Shame Is In Fashion At Bjarne Melgaard’s “The Casual Pleasure Of Disappointment”

You can’t argue with the immediate shock of a video depicting a burning rainbow flag. Or, for that matter, a sign that reads “Never Trust A Gay Man” and “Every Gay Man Is A Disappointment,” which echoes a self-loathing but (at least I read) tongue-in-cheek sentiment aired by Milo Yiannopoulos on Real Time With Bill Maher … Continue reading

Hide And Go Seek: Finding Enigmatic Queer Childhood In Catalina Schliebener’s ‘Growing Sideways’
Art

Hide And Go Seek: Finding Enigmatic Queer Childhood In Catalina Schliebener’s ‘Growing Sideways’

Childhood is weird. Not exactly a deeply analytical statement, I know, but it’s true. It’s hard to put a finger on childhood–that amorphous, scattershot of memories we form mainly as adults, adding meaning to the various stages of our development. In her book The Queer Child, or Growing Sideways in the Twentieth Century, Kathryn Bond … Continue reading

Failure May Be Your Style: Undetectable Queer Time In Elmgreen & Dragset’s ‘Changing Subjects’
Art

Failure May Be Your Style: Undetectable Queer Time In Elmgreen & Dragset’s ‘Changing Subjects’

Nick Cave’s thoughts on time have stuck with me long after witnessing his deeply upsetting grief-strewn film One More Time With Feeling. Directed by Andrew Dominik, One More Time With Feeling is an all-encompassing look into the recording of the Bad Seeds’ album Skeleton Tree in the wake of the death of Nick’s son Arthur … Continue reading

Andrea Mary Marshall’s Hunka Hunka Burning Gender Trouble at “Sacred/Iconic”
Art

Andrea Mary Marshall’s Hunka Hunka Burning Gender Trouble at “Sacred/Iconic”

Playing with the iconic masculinity of Elvis Presley and combining it with its polar opposite–the idealized femininity of a geisha, artist Andrea Mary Marshall’s new work in Sacred/Iconic, a two-person exhibition at Garis & Hahn, open until October 19, highlights gender as a performance, troubling the binary of masculine/feminine. Continue reading