Nobody expects to be confronted by a cat’s butthole on the wall of a flower shop. But, that’s exactly the startling sight in a photograph by Res hung prominently in the hallway connecting the two sections of the lush greenery-filled flower shop at 89 Eldridge Street. The photograph Reaching (Butthole) features a cat’s ass on … Continue reading
“Then comes pancake factor number one Eyeliner, rose hips and lip gloss, such fun You’re a slick little girl, you’re a slick little girl Rouge and coloring, incense and ice Perfume and kisses, oh it’s all so nice You’re a slick little girl, you’re a slick little girl Now we’re coming out, out of our … Continue reading
“There are few things raunchier than a centerfold of ‘nothing,’” quips critic Bruce Hainley speaking to our preeminent filth elder John Waters in Art: A Sex Book. “The imagination can go wild.” Even with his purposeful witticism, Hainley is right. Sometimes just fractured glimpses of body parts–a hand, a silhouette, a mouth–amidst a sea of … Continue reading
Depression, despair, despondency, longing, melancholia and heartbreak are unlikely emotions to trumpet at a time when anger and righteous indignation seem like the only affects we’re allowed to access for mass resistance and protest. Continue reading
“She lost all her innocence She said, ‘I am not a feminist’ –Hole, “I Think That I Would Die” Examining society’s impossible expectations for women in her essay “Bad Feminist: Take One,” Roxane Gay describes, “…the right way to be a woman is to be thin, to wear makeup, to wear the right kind of … Continue reading
Similar to Genesis Breyer P-Orridge’s articulation of the “amazingly full and kaleidoscopic adventure” of finding transgressive books in smut shops, artist Scott Treleaven’s large-scale abstract drawings in his current exhibition Animal Chapel at Invisible-Exports reflect the possible transformative power of the hidden, the coded and the concealed. Continue reading
Pairing these artists in an arresting, at times, unsettling and ultimately inspiring show, Invisible-Exports’ BREYER P-ORRIDGE & Pierre Molinier exhibition forges a powerful aesthetic genealogy between these uniquely subversive artists. Continue reading