“You should not work to make the audience comfortable with what they are witnessing at all,” writes playwright Jeremy O. Harris in his “Notes on Style” preface of the script of Slave Play. Harris’s is a weighted statement, hidden within seemingly typical stage notes for a theatrical production. Whether onstage or off, so much related … Continue reading
Who can evade an inevitable reference to Charlie Brooker’s Black Mirror while speaking about technology and dystopic future? It is tempting to compare American Artist’s exhibition Black Gooey Universe at HOUSING gallery to Black Mirror, even though the connection risks limiting the vastness of the former’s critical engagement with technology to a Netflix series. But … Continue reading