“Melania” Is an Unintentionally Perfect Portrayal of the End of the American Empire
America Is Doomed / Film

“Melania” Is an Unintentionally Perfect Portrayal of the End of the American Empire

A black screen, a void, then the calming sounds of ocean waves. Keith Richards’s guitar punctures the roiling relaxation, as sea-green ocean waves brighten the screen. Merry Clayton woos over the opening riff of The Rolling Stones’ Vietnam-era anthem, “Gimme Shelter,” as a drone shot flits over a sandy beach and a pool deck with … Continue reading

4 Movies for Wackos that I’ve Loved Recently: A New Love in Tokyo, 28 Years Later: The Bone Temple, Deranged, and Room Temperature
Film

4 Movies for Wackos that I’ve Loved Recently: A New Love in Tokyo, 28 Years Later: The Bone Temple, Deranged, and Room Temperature

Being buried under precarious, emergency-surgery-threatening heaps and heaps of snow, ice, and slush is the perfect opportunity for obsessive movie-watching. Not schlepping around to galleries, climbing over the road gritty, dog-and-human shit-covered ice mountains that collect at the edge of every sidewalk in New York, to gaze disappointingly at mostly bland art (Not to mention … Continue reading

Possession or Lesbian Awakening?: Maya Gunhilda’s “God Save Malvina”
Mincing Movies

Possession or Lesbian Awakening?: Maya Gunhilda’s “God Save Malvina”

“Malvina is the first mistake, Malvina is the worst mistake I’ve ever made.”  Are you a fan of Sapphic coming-of-age stories…drenched in horror and told entirely from the perspective of the queer protagonist’s hyper-religious mother? Well, if you are, then look no further! Maya Gunhilda’s 2025 disgustingly delightful horror short, God Save Malvina, follows protagonist … Continue reading

Your Being Manipulated: “Eddington” Is the Definitive Commentary on the United States’ 2020s Batshittification
Film

Your Being Manipulated: “Eddington” Is the Definitive Commentary on the United States’ 2020s Batshittification

After seeing Ari Aster’s newest “divisive” ride, Eddington, I returned home and put on Darryl Cooper’s three-hour marathon “Jeffrey Epstein: This was your life!” episode of Tucker Carlson. While I didn’t make it through that long haul in one night, Cooper’s deep dive into Bill Barr’s daddy and Epstein’s first employer after dropping out of … Continue reading

Paul Vecchiali’s “Rosa la Rose, Fille Publique” Is a Berserk Amour Fou for Francophone Trash
Film

Paul Vecchiali’s “Rosa la Rose, Fille Publique” Is a Berserk Amour Fou for Francophone Trash

Does anyone love their job quite as much as Rosa, the bright-eyed and bushy-haired sex worker and l’amour de tout le monde à Paris in Paul Vecchiali’s 1986 doomed and demented romance flick, Rosa la rose, fille publique? It’s hard to imagine. She’s even working on her twentieth birthday! Currently screening at Metrograph on the … Continue reading

I Shamefully Ignored “The Straight Story” Until David Lynch’s Death: It Might Be His Masterpiece
Film

I Shamefully Ignored “The Straight Story” Until David Lynch’s Death: It Might Be His Masterpiece

I didn’t know what to write about David Lynch. Sure, I knew that I had to write something in tribute to our preeminent filth elder (tied with John Waters)—the dreams of Filthy Dreams. But…what? Scroll through this website’s archives and you’ll already find pages upon pages penned on the man, his quinoa recipe, his paintings … Continue reading

“Bye Bye Love” Is a Gender-Fluid Romance Movie for the Criminally Insane
Film

“Bye Bye Love” Is a Gender-Fluid Romance Movie for the Criminally Insane

“Help! There’s a pervert after me!” A gorgeous woman (or so we assume) with petite features, framed by her pencil-thin eyebrows and gigantic 1970s bug sunglasses, dashes up to a man with mussed hair and a blue and red striped shirt, rudely interrupting his shouty breakup phone call with a soon-to-be ex: “Only losers get … Continue reading

“Megalopolis” Isn’t So Bad It’s Good: It’s Sublime
Film

“Megalopolis” Isn’t So Bad It’s Good: It’s Sublime

You must understand two things to appreciate the overblown, overindulgent glory of Francis Ford Coppola’s crackpot masterpiece Megalopolis. First, the most pie-in-the-sky fantastical architecture that Coppola can muster is apparently a waving, gelatinous, see-through, glimmering moving walkway as if Hudson Yards’ suicide shawarma, The Vessel, traded its now-fenced-in staircases for technology largely found between far-flung … Continue reading

There’s No Going Back: The (Mouse)Trap of Womanhood in Narcissister’s “Voyage Into Infinity” and “The Substance”
Art / Film / Performance

There’s No Going Back: The (Mouse)Trap of Womanhood in Narcissister’s “Voyage Into Infinity” and “The Substance”

“What has been used on one side is lost on the other side. There’s no going back,” lectures a stern voice at the other end of the telephone after Demi Moore’s frantic has-been actress turned Suzanne Somers’-like exercise guru Elisabeth Sparkle calls customer service to whine about a hitch in her new, ill-advised foray into … Continue reading