To mark this year’s World AIDS Day, London’s Live Art Development Agency (LADA) hosted the first UK screening of Marion Scemama’s 2018 film essay Self-Portrait in 23 Rounds: A Chapter in David Wojnarowicz’s Life (1989-1991), co-directed with François Pain. Having spent the past two years immersing myself in Wojnarowicz’s life and work, I was hungry … Continue reading
One of the last works on view in the winding, labyrinth-like galleries of the Whitney Museum’s long awaited David Wojnarowicz retrospective History Keeps Me Awake At Night features a hand, presumably the artist’s own, holding a tiny, adorable frog. Just one example of Wojnarowicz’s lifelong affinity for creepy-crawly things–bugs, frogs, snakes, etc., this tender and … Continue reading
“It’s about twenty minutes later. I just can’t stand my self-consciousness when talking into this thing,” says David Wojnarowicz, speaking into an audio recorder in November/December 1988. One of his eleven tape journals he made from 1981 to 1989, he later admits on the same tape: “I don’t know. I really can’t get at this … Continue reading
“My silences had not protected me. Your silence will not protect you,” warns Audre Lorde in her paper The Transformation of Silence Into Language And Action. In this essay, Lorde argues for speaking–the voice–as an essential, if not the most essential, activist tool. She concludes, “The fact that we are here and that I speak these words is an attempt to break the silence and bridge some of those differences between us, for it is not difference which immobilizes us, but silence. And there are so many silences to be broken” (44). Continue reading