Every great album should come with a jumpscare. A moment that makes you stumble a little on a run, stop short on a walk, and jerk your head up when blasting it at home. On Anna von Hausswolff’s phenomenal new album ICONOCLASTS, that jumpscare comes in the form of Iggy Pop’s craggy, trembling bellow, loudly … Continue reading
Tag Archives: Ethel Cain
With “Willoughby Tucker, I’ll Always Love You,” Ethel Cain Is the Next Great American Storyteller
There is a tornado at the heart of Ethel Cain’s new album, Willoughby Tucker, I’ll Always Love You, a storm of such Southern Gothic biblical proportions that it rivals the foreboding flood that heralds the foretold birth of Elvis and his dead twin on Nick Cave & The Bad Seeds’ “Tupelo.” The tempest rolls in slowly … Continue reading
Heaven Has Forsaken the Masturbator, but Ethel Cain Hasn’t on “Perverts”
Isn’t it about time that we feel bad about masturbating again? I mean, other than a few edging holdouts, how long has it been since jacking was taboo? That yanking your plug or flicking your bean or however you want to do it could risk a judgmental side eye and rejecting shake of the head … Continue reading
This Is the Land of Ghosts, See?: The Haunted American Landscapes of Ethel Cain and “Skagit”
A shakily drawn, Occult-like circle ripped from that possessed videotape in The Ring flashed ominously before transitioning into a montage of country-fried American Gothic scenes: a woman in short overalls walks down a red dirt path, rides in the back of a pickup truck on an empty road, stares into the fluffy blue-clouded sky, and … Continue reading