In his chapter “Fading, Twisting and Weaving: An Interpretive Ethnography of the Black Barbershop/Salon as Cultural Space” from Performing Black Masculinity: Race, Culture and Queer Identity, Bryant Keith Alexander explores the role of the Black-run barbershop as a space for community-building and performing Black masculinities away from hegemonic white culture. “I remember,” he begins, “the … Continue reading →