So Many Men So Little Time: Cheim & Read’s ‘The Female Gaze, Part 2: Women Look At Men’
Art

So Many Men So Little Time: Cheim & Read’s ‘The Female Gaze, Part 2: Women Look At Men’

2016 seems to be the year that the art world rediscovered women. Well, at least in their summer group shows. With this glut of all-women exhibitions, there are valid arguments on either side whether all-women shows are good for the careers of women artists. On one hand, women could be slotted solely as “women artists”–their careers relegated to essentialism and on the other, increased visibility is never a bad thing. Continue reading

Not So Fast, Tom Ryan: Elizabeth Taylor’s Presence and Absence In Catherine Opie’s ‘700 Nimes Road’
Art

Not So Fast, Tom Ryan: Elizabeth Taylor’s Presence and Absence In Catherine Opie’s ‘700 Nimes Road’

In Jay Prosser’s photographic study Light in the Dark Room: Photography and Loss, Prosser analyzes the power of photography to record absence, as well as–seemingly contradictorily–presence. As he explains, “photography is the medium in which we unconsciously encounter the dead…Photographs are not signs of presence but evidence of absence. Or rather the presence of a photograph … Continue reading