Touch-A, Touch-A, Touch Me: Sensory Overload At “Haptic Tactics”
Art

Touch-A, Touch-A, Touch Me: Sensory Overload At “Haptic Tactics”

Scratch. Scrape. Scratch. Scrape. A chill flies down my neck, ricocheting down my spine. It’s not just the sound of A.K. Burns and Katherine Hubbard’s collaborative video Untitled (shaving performance 2010) that sends multiple senses into overdrive. It’s also the visuals–disembodied hands wielding a straight razor, slicing precariously close to a woman’s bare skin and … Continue reading

This Exhibition Avoids Turning Identity Into Easily Digestible Clickbait: “Trigger: Gender As A Tool And A Weapon”
Art

This Exhibition Avoids Turning Identity Into Easily Digestible Clickbait: “Trigger: Gender As A Tool And A Weapon”

“…all press is good press to the contemporary enemy and they absorb all weapons launched at them ‘no weapons formed against them shall prosper’ reformed as ‘all weapons against them shall prosper’ they will absorb them into their promotional machine its best to keep it private account,” reads House of Ladosha’s vinyl Untitled (a carry) in … Continue reading

I Put A Spell On You: RAGGA NYC’s ‘All The Threatened And Delicious Things Joining One Another’
Art

I Put A Spell On You: RAGGA NYC’s ‘All The Threatened And Delicious Things Joining One Another’

“A thing is mighty big when time and distance cannot shrink it,” writes Zora Neale Hurston in Tell My Horse: Voodoo and Life in Haiti and Jamaica. I picked up Hurston’s nonfictional dive into the amalgamation of Afro-Caribbean spiritual traditions in the small Faulkner House Books in New Orleans, another city known for its long held connection … Continue reading