From Sleeping Boys to Hot Clinton/Gore: Gonzalo Reyes Rodriguez Connects an Alternative Queer History at David Peter Francis
Art

From Sleeping Boys to Hot Clinton/Gore: Gonzalo Reyes Rodriguez Connects an Alternative Queer History at David Peter Francis

If Gonzalo Reyes Rodriguez’s current exhibition Survey at David Peter Francis had a smell, other than that of East Broadway’s markets wafting through the third-floor windows, it would be that sweetly sour stench of unwashed, slept-in sheets and stale dry-mouthed morning breath. A man dozes, his face pushed hard into the white-sheeted bed while his … Continue reading

Birth Scenes in Body Horror Movies Have Nothing on Clarity Haynes’s “Portals” at New Discretions
Art

Birth Scenes in Body Horror Movies Have Nothing on Clarity Haynes’s “Portals” at New Discretions

A minuscule flushed hand with five chubby fingers sticks out of a slick reddened birth canal as if waving from a seeping open wound. A rubber-gloved palm grabs the neck of a splotchy greenish-purple head, its rubbery face smushed and eyes slammed shut with yellow viscous fluid running from its nose. Another grumpy face, this … Continue reading

Unseen World: Katelyn Eichwald Keeps the Mystery Alive in “Talisman” at Fortnight Institute
Art

Unseen World: Katelyn Eichwald Keeps the Mystery Alive in “Talisman” at Fortnight Institute

Until dashing into Katelyn Eichwald’s solo show Talisman at Fortnight Institute to avoid standing in a downpour like an asshole outside of the opening of La MaMa Galleria’s Every Woman Biennial, I would have firmly declared myself anti-poetry in galleries (apart from readings or performances, of course). The poetry creep has been a long time … Continue reading

“As the World Burns: Queer Photography and Nightlife in Boston” Keeps Dancing and Breaking out the Booze Through the Archives
Art

“As the World Burns: Queer Photography and Nightlife in Boston” Keeps Dancing and Breaking out the Booze Through the Archives

A monstrous gaudy powder-white Christmas wreath, adorned with silver balls and a gigantic red bow, towers over a full bar. The ginormous wreath is flanked by metallic cut-out stars, floating down from the heavens, caught by a single string pinned to the ceiling. Partially hidden behind the pine needles like an upstaged choir are the … Continue reading

Inside a Constant State of Desire: Michelle Handelman’s “DELIRIUM PART ONE: DEATH (The Breakdown)” at signs and symbols
Art

Inside a Constant State of Desire: Michelle Handelman’s “DELIRIUM PART ONE: DEATH (The Breakdown)” at signs and symbols

Lydia Lunch has always had a voice able to shake audiences to their core. What was once a grating piercing howl in Teenage Jesus and the Jerks has roughened into a gravel-strewn growl that can be sultry and animalistic in equal measure. In November, I saw Lunch perform at TV Eye in the final show … Continue reading

Hex Signs and Butt Plugs: Pennsylvania Dutch Perversions in Anne Buckwalter’s “Reins on a Rocking Horse” at Rachel Uffner Gallery
Art

Hex Signs and Butt Plugs: Pennsylvania Dutch Perversions in Anne Buckwalter’s “Reins on a Rocking Horse” at Rachel Uffner Gallery

Bearded Amish men creating traffic jams in horse-drawn buggies. Shoofly pies, whoopie pies, and apple butter bake sales staffed by women in plain cotton dresses. Worn farmhouses adorned with painted barn stars. Wooden rockers and star-laden quilts. These are the quaint scenes that immediately come to my mind when considering the aesthetics of Pennsylvania Dutch … Continue reading

Brandi Twilley Memorializes the Home of Rock Bottom (Prices) at Sargent’s Daughters
Art

Brandi Twilley Memorializes the Home of Rock Bottom (Prices) at Sargent’s Daughters

There is something existentially terrifying about American big-box grocery stores. Maybe it’s just me. Shamefully, I have melted down in more than a few ginormous supermarkets across the country, sniping at family members over muffins and abandoning shopping baskets in the cereal aisle in a panic. I know I’ve fashioned myself as a supporter of … Continue reading