Progress, Real and Imagined: Nicole Eisenman’s Temporal Drag in ‘Al-ugh-ories’
Art

Progress, Real and Imagined: Nicole Eisenman’s Temporal Drag in ‘Al-ugh-ories’

In the catalogue for her current exhibition Al-ugh-ories at the New Museum, artist Nicole Eisenman responds to a question on her employment of painting by the Museum’s Artistic Director Massimiliano Gioni who asks, “Did you feel that you were taking on a slightly anachronistic medium?” Eisenman replies, “That never occurred to me. Maybe it had … Continue reading