In his song “Lady Stardust” from his seminal album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, David Bowie vividly describes an androgynous gender-bending singer, half-entertaining and half-terrifying a crowd with his decadent aesthetic and songs. Potentially written in honor of T. Rex’s frontman Marc Bolan, “Lady Stardust” also references Bowie’s own playful, visionary and even, utopian transgressions of traditional gender binaries, particularly when dressed as the glam rock savior Ziggy Stardust. Continue reading →