Why hello there, dearest Filthy Dreams readers! We made it! To the end of 2017 that is. We know–we didn’t think it would happen either. Since the end of the year pretty much makes wrap-up listicles mandatory, we thought we’d grudgingly accept by counting down our favorite art world social media meltdowns of 2017. 2017 … Continue reading
Author Archives: Emily Colucci and Danielle Wu
Filthy Dreams’s Guide To The Art World Ken Dolls
As some of you dearest Filthy Dreams readers may know, Mattel, this week, released its new updated line of Ken Dolls. Besides looking like they all came straight out of The Cock (dirty boys!), these Kens seemed vaguely familiar. Beholden to ill-fated fashion and hairstyle choices (I mean, a man-bun? Really?), we swear we’ve seen these … Continue reading
Drag Them To Filth: Ideal Women, Liberal Guilt, Art Critic Nervous Breakdown Edition
Hello, faithful Filthy Dreams readers, and welcome back to Drag Them To Filth. What’s that noise? Is that your blood boiling? Ours too. It’s time for this month’s wrap-up of the most extensive sigh-inducing arts-related reading on the Internet. So grab a cocktail or five and let’s start hate-reading: 1. Artnet News, Gallery Hopping: ‘Harumi’s … Continue reading
Drag Them To Filth: Ideal Male Bodies, Language Police And Long Haired Queer Activism Edition
Well, hello there dearest Filthy Dreams readers! What’s that? Are you ready to fume? Us too. Why, we find ourselves so horrified, enraged and just a bit amused by the nonsense editors dare publish these days that we’re starting a new series here on Filthy Dreams–Drag Them To Filth. Here we’ll provide a monthly wrap-up … Continue reading
Filthy Dreams’s Guide To Every Response You’ll Ever Need For The Dana Schutz-Storm
Despite being hailed as the most “diverse” Whitney Biennal yet, the most famous works to captivate the nation’s attention managed to continue to be white artists and their struggle. We’re speaking, of course, about Jordan Wolfson’s Real Violence (2017) and Dana Schutz’s Open Casket (2016)–two shocking portrayals of sensationalized violence that centralized white suffering in … Continue reading