“I am no different than the decaying rose as I wail,” cries Zeki Müren—arguably the most prominent singer that classical Turkish music has introduced, as well as the grandest of queer icons in his country—in Üzgünüm Leyla (I’m sorry, Leyla), a heart-wrenching anthem of longing and the namesake of Sinan Tuncay’s solo exhibition at United … Continue reading →