In Fatebe, Ebecho Muslimova Has Created An Abjected Double, A Vessel Of Curiosity And A Kind Of Superhero
Art

In Fatebe, Ebecho Muslimova Has Created An Abjected Double, A Vessel Of Curiosity And A Kind Of Superhero

Fatebe (“FAT-E-be”) is in the midst of the Lacanian Mirror Phase. “She’s starting to interact with her own image and own sense of self versus the drawing of herself,” says her creator, the New York-based artist Ebecho Muslimova. “[The film] Ex-Machina, popped in my mind; she’s looking at herself in a mirror, self-realizing. I feel … Continue reading

The Corporeal Fragment: A Symbol of Revolution or a Rejection of the Postmodern?
Art

The Corporeal Fragment: A Symbol of Revolution or a Rejection of the Postmodern?

In her 1994 essay The Body in Pieces: The Fragment as a Metaphor of Modernity, art historian Linda Nochlin ties the genesis of modernism to the French Revolution, framing the guillotine as a symbol of the severing of inherited dynastic power ushering in an era of radical politics, creativity, and culture. The guillotine becomes representative … Continue reading

Collapsed Distance: Barbara Ess Observes and Surveils at Magenta Plains
Art

Collapsed Distance: Barbara Ess Observes and Surveils at Magenta Plains

American art critic Kristine McKenna, writing for the Los Angeles Times in 1991, referred to artist Barbara Ess’s signature pinhole photographs as “luxuriously beautiful.” Those photographs, in which subjects are blurred, information is blacked out and realities blend into fantasies, expose photography as a medium that, at its best, is rife for the subjectivity of … Continue reading