The Corporeal Fragment: A Symbol of Revolution or a Rejection of the Postmodern?
Art

The Corporeal Fragment: A Symbol of Revolution or a Rejection of the Postmodern?

In her 1994 essay The Body in Pieces: The Fragment as a Metaphor of Modernity, art historian Linda Nochlin ties the genesis of modernism to the French Revolution, framing the guillotine as a symbol of the severing of inherited dynastic power ushering in an era of radical politics, creativity, and culture. The guillotine becomes representative … Continue reading

Dan Herschlein’s Night Pictures Illuminate The Eerie Undercurrent Of American Domesticity
Art

Dan Herschlein’s Night Pictures Illuminate The Eerie Undercurrent Of American Domesticity

In his text The Weird and the Eerie, the cultural theorist Mark Fisher analyzed two of the most important elements in various works of art that veer into the territory of horror and science fiction. The weird, as found in David Lynch’s Inland Empire, various texts by HP Lovecraft, Rainer Werner Fassbinder’s World on a … Continue reading