Collapsed Distance: Barbara Ess Observes and Surveils at Magenta Plains
Art

Collapsed Distance: Barbara Ess Observes and Surveils at Magenta Plains

American art critic Kristine McKenna, writing for the Los Angeles Times in 1991, referred to artist Barbara Ess’s signature pinhole photographs as “luxuriously beautiful.” Those photographs, in which subjects are blurred, information is blacked out and realities blend into fantasies, expose photography as a medium that, at its best, is rife for the subjectivity of … Continue reading